I found another Megan Soto — IN OREGON.
#8 In the results for the Google search:
Can we just pause to take a look at these MSNBC ads touting their network as the “place for politics?” They’re just a little intimate. Like they’re going in for a kiss. I’m just sayin. Your thoughts? What would Sarah Palin think?
The Cinematic Savvy series is designed to explore themes and ideas from certain films. Inspiration can be drawn from characters, their quotes, their circumstances, historical approaches depicted – it’s my blog, I’ll take it where I get it. I love film and I love PR. Let’s see how they influence me.
Come on. You knew it was coming. This blog started out with a post about Batman so why shouldn’t the franchise be included in the “Cinematic Savvy” series?
Now, this was an incredibly delicate situation. Heath Ledger was already inspiring much anticipation for the film before his death. Reports of his extensive and seemingly obsessive preparation for the role were rampant. His death only heightened that anticipation, enlarging and redefining the audience to movie-goers who might not be interested in the story, but would absolutely go to see the actor’s last film.
In my first post, Saving Face, I addressed the question of how publicity for the Dark Knight should continue, giving the film the publicity and energy it needed while still respecting the actors death for what it was, a death and not an opportunity on which to capitalize.
PRWeek, in an effort to not only answer that original question, took it a step further and asked what the result was. In an article asking whether or not the publicity campaign for the Dark Knight was a hit or miss, called it a hit attributing its success to the ‘posthumous Oscar debate’ which ultimately drove attention to the dead actor and his performance rather than to the overall genius of the film all the while driving massive profit.
Another lesson in reputation management, crisis management and ethics all at the same time for this PR novice.
In perusing the recent activity on Kelli Matthew’s blog PRos In Training, I found a post that highlighted a Dunlop Tires marketing scheme that promised a free set of tired to anyone who branded themselves with a Dunlop tattoo. This got me thinking about marketing and public relations gimmicks and what people will carry out to drive their marketing or public relations plan away from traditional tactics and into the minds of their audiences. More than that, I had to wonder if I would ever have to be the architect behind some of this pumped-up PR? So I started to research what people are saying about this issue. Honestly, I really wanted to get some ideas so that if ever asked to be over-the-top, I’d have some strategies up my sleeve.
In my search for tips, examples and how-to’s, I came across many blogs that featured this list – the Ten Commandments of Crazy Marketing Stunts, if you will. The list includes a staged protest against your clients’ “good customer service”, nominating your client for an obscure award, and tying your client’s name or business to a current event, for example, local chiropractors sponsoring a marathon in hopes for a business boom after the race.
These ideas interested me until this morning when reading a celebrity gossip blog called Just Jared (my guilty pleasure) who in one of his many daily posts showed a music video made by musician, producer and member of the Black Eyed Peas, Will.i.am that featured a song called “Yes, We Can” which is based off of a speech made by Barak Obama at the New Hampshire primaries. This, ladies and gentlemen, is great PR.
The video features celebrities and musicians singing the lyrics which actually follow the speech exactly – and these aren’t B-listers either, folks. Scarlett Johansson, Kate Walsh, and John Legend are just a few of the ensemble showing their support for the presidential candidate. I encourage everyone to watch the video. It’s very well done. Here is a link to the video as featured at the Just Jared site.
I’m not sure if Obama’s people were involved very heavily in it, but this video showed creative and over-the-top PR doesn’t have to be limited to gimmicks and stunts that will increase car sales but it can be used for something hugely important and worthy of a national attention.
Maybe it’s uncouth for me to, as a reaction to an actor’s recent death, wonder how Warner Bros. will rework their huge viral marketing campaign for the upcoming film, The Dark Knight, co-starring the late Heath Ledger, which is due to open this summer.
As an avid Batman fan, I’ve been anticipating this film since I found out Ledger was playing the Joker – there were several rumors that Jack Nicholson would reprise the role. Being an avid fan also makes me a prime target for the “leaked” images of the haunting mutilated face of the joker which brilliantly turned into recent banner ads for Facebook and Myspace so that even if your internet activity is limited to networking sites, exposure to the campaign is almost guaranteed.
For months now, Warner Bros. has invested in a pumped up viral marketing plan and been maintaining a static site of the Batman which now serves as a link to the Warner Bros. official message of condolences for Heath Ledger’s passing. However, around the same time as the website launch, according to blogger Kaitlyn Wilkin’s blog Catch Up Lady, false campaign posters for “Harvey Dent for District Attourney” – Harvey Dent is the alter-ego of the Batman villain “Two-Face”.
The images to the right are both from Wilkin’s blog.
These unmarked posters appeared in major cities like Los Angeles all of which were defaced within 48-72 hours as though by the Joker. These posters coincided with a url – ibeliveinharveydenttoo.com which then launched an e-mail campain ultimately sent users back to an interactive promotional site.
According to Alex Billington of hollywoodchicago.com, the marketing Einsteins at Warner Bros. had a huge presence on the web through an online version of the fictitious newspaper The Gotham Times and a website for the Gotham transit system – both of these sites, like the posters had a conversion phase in in which the Joker has seemingly overtaken the sites. Their online presence has, by the nature of discourse, created its own free buzz campaign in the blogosphere. People are going crazy about these promotions. This method harkens back and could well have been started by the Snakes On A Plane phenomenon or the recently HBO-picked-up Flight of the Conchords who got their big-break on YouTube.
The thing that’s cool about this, is that it’s relatively easy and cheap to pull off. It’s the proven age-old formula of strategic and clever posters paired with the available and basic technology of easily launched websites and e-mail campaigns which are driven by a cult with such a huge and die-hard following that its success is inevitable. It’s a dream promotional campaign for an independent film company, but it’s being carried out by a studio who has the dream budget.
This brings us back to the reworking idea that I mentioned at the beginning of the post. The problem with this campaign in conjunction with the untimely death of Heath Ledger is that it’s very centered around the character of the Joker. The death of the actor evoked a strong reaction in Hollywood as well as his legions of fans – fans like myself who, as a teen-aged girl, fell in love with his rugged Australian looks and charm in movies like Ten Things I Hate About You and The Patriot.
That said, with many of their ads featuring the actor’s mutilated and painted costumed face, reactions are no longer of excitement and anticipation, but of sorrow and remorse for the actor’s death.
So what does a studio gearing up to launch a summer blockbuster do? Well, according to Brandweek’s The Biz, the promotional partners, like Hershey’s who came out with Bat symbol shaped chocolates will not rework their campaigns because they, unlike Warner Bros. centered their campaigns around the main hero, rather than the Joker. The article says that Warner Bros. has not commented on any change to their campaign which prominently feature Ledger’s character and his edgy and flashy reinvention of the role.
The only change I could find was the previously mentioned static site which features Warner Bros.’s message of condolences. This last move was appropriate because the studio’s probably going into crisis management and going to have to balance the rest of the campaign which would normally be working its way up to its promotional peak without looking like it’s exploiting the tragedy. Quite the public relations pickle.
This PR saga is very near and dear to me as a follower of the Batman cult so I’ll be following this subject very closely, for sure. Stay tuned, all.